Repressive forces don’t stop people expressing themselves but rather force them to express themselves
March 6, 2014 § Leave a comment
Leningrad: The 900 Days (Sergio Leone)
Inspired by the “invasion theme” of Shostakovich’s Leningrad Symphony and influenced by Times journalist Harrison Salisbury’s book The 900 Days: The Siege of Leningrad, it was the story of doomed love between a cynical American newsreel cameraman and a young Soviet girl against the epic background of the siege. Leone: “Think of Gone with the Wind.” The director imagined Robert De Niro in the lead, with music by Ennio Morricone, and shooting in the USSR. It was delayed indefinitely by Leone’s inability to commit his many ideas to paper and Soviet producers’ reluctance to grant permission.
Libra (Phil Joanou)
Based on Don DeLillo’s speculative novel about the life of Lee Harvey Oswald and the events leading to JFK’s assassination. Gary Oldman was to star.
The Lifted Spear (Akira Kurosawa)
Like Kagemusha, Spear would have climaxed with a grand battle involving the 16th-century warlord Nobunaga Oda. Due to wartime shortages no horses were available for the crucial scene, and the project was subsequently abandoned.
The Lily of the Valley (Max Ophüls)
Adaptation of the 1835 Balzac novel about an intense but chaste love between a man and a woman.
The Living Room (Michael Powell)
Adaptation of Graham Greene’s play set in Fifties London about a mysterious house, its occupants, and a love affair that turns tragic. Rex Harrison was to star.
The Lodger (Lino Brocka)
Written by Nick Joaquin.
The Loves of d’Annunzio and Duse (Orson Welles)
Welles wrote this screenplay for Greta Garbo (to play Eleonora Duse) and Charlie Chaplin (Gabriele d’Annunzio) and described the project as a story about two crazy monsters in a state of degenerate hyper-romanticism, with a ridiculous and theatrical passion. Neither Chaplin nor Garbo wanted to do it. read more
ART: Horyon Lee