I saw Grock, the great clown, desperately trying and always failing to construct a human bridge with the dubious help of a confederate. Their ever-repeated announcement that they were about to perform this feat – ‘Eine Brücke! Eine Brücke!’ – still sounds in my ears

November 29, 2012 § Leave a comment

I did this book on New York: black-and-white, grungy photographs. People said, “What a put-down — New York is not like that. New York is a million things, and you just see the seamy side.” So I thought I would do a film showing how seamy New York was, but intellectually, by doing a thing on electric-light signs. How beautiful they are, and what an obsessive, brainwashing message they carry. And everybody is so thankful for this super spectacle. Anyway, I think it’s the first Pop film.

Afterwards, I went from New York to Paris on a boat. We were on the pier with all our suitcases when I saw Orson Welles with a cigar and a little attaché case – that’s all he had as luggage. I went up to him and said, “Listen, I’ve just shot a film. Would you like to see it?” I showed it to him in the boat’s movie theater, and he said, “This is the first film I’ve ever seen in which the color is absolutely necessary.”  read more

ART: Larry Rivers

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You are currently reading I saw Grock, the great clown, desperately trying and always failing to construct a human bridge with the dubious help of a confederate. Their ever-repeated announcement that they were about to perform this feat – ‘Eine Brücke! Eine Brücke!’ – still sounds in my ears at my nerves are bad to-night.

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